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Ok Kadhal Kanmani!

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 We all had been crazy Mani Rathnam fans when he was at his peak – Nayagan, Mouna Ragam, Agni Natchathiram and Thalapathi – of his creativity.  I remember it used to be like a mini festival, whenever those movies got released. Waiting with huge expectations before its release, discussions regarding story, stars and music and once the movie was out, to boast about first day first show, thronging the theatre in big groups, commenting, cheering loudly during the show, making sure others don’t enjoy the show peacefully, standing in the long queues with the unruly crowd– getting a ticket to movie like Thalapathi was tougher than getting a PG seat through All India PG Entrance exam!... Mani Rathnam’s path breaking Style of film making, inspired by Hollywood movies, became a trade mark not only in Kollywood, in Bollywood too. He became a national icon with the massive hits like Bombay and Roja .That image forced him to think at national level when he chose sub...
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Let me clear the air first. This is not an art film; neither a film of international standards- technologically. Pure commercial entertainer. Choosing this movie is a desperate attempt to rescue my image, which is dangerously close to masochist tag- due to the sad, depressive, pessimistic films I’ve been reviewing! Every film maker would agree that comedy is the most difficult genre to pull through successfully. Easier to make the audience cry emotionally rather than tickling their funny bones. This is Rajkumar Hirani’s second film, as a director. When his first movie, Munna Bhai MBBS was released everyone was dumbfounded; it became a cult classic and created history in Indian cinema. Turned out to be so popular that the movie was reviewed by British Medical Journal! It has been remade in almost every Indian languages. Its Tamil version was “Vasool Raja MBBS”. Rajkumar Hirani wanted to be a film star; was involved in theatres- stage play, during college days...
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